Painting by Dennis
Painting by Dennis, Thanx to him and his talent.

 


B i o g r a p h y
 (by Richie Unterberger & Greg Prato)

The career of Lou Reed defies capsule summarization. Like David Bowie (whom Reed directly inspired in many ways), he has made over his image many times, mutating from theatrical glam-rocker to scary looking junkie to avant-garde noiseman to straight rock & roller to your average guy. A firmer grasp of rock's earthier qualities has ensured a more consistent career path than Bowie's, particularly in his latter years. Yet his catalog is extremely inconsistent, in both quality and stylistic orientation. Liking one Lou Reed LP, or several, or all of the ones he did in a particular era, is no guarantee that you'll like all of them, or even most of them. Few would deny Reed's immense importance and considerable achievements, however. As has often been written, he expanded the vocabulary of rock & roll lyrics into the previously forbidden territory of kinky sex, drug use (and abuse), decadence, transvestites, homosexuality, and suicidal depression. As has been pointed out less often, he remained (and remains) committed to using rock & roll as a forum for literary, mature expression well into middle age, without growing lyrically soft or musically complacent. By and large, he's taken on these challenging duties with uncompromising honesty and a high degree of realism. For these reasons, he's often cited as punk's most important ancestor. It's often overlooked, though, that he's equally skilled at celebrating romantic joy, and rock & roll itself, as he is at depicting harrowing urban realities. Although Reed achieved his greatest success as a solo artist, his most enduring accomplishments were as the leader of the Velvet Underground in the '60s. If Reed had never made any solo records, his work as the principal lead singer and songwriter for the Velvets would have still ensured his stature as one of the greatest rock visionaries of all time. The Velvet Underground are discussed at great length in many other sources, but it's sufficient to note that the four studio albums they recorded with Reed at the helm are essential listening, as is much of their live and extraneous material. "Heroin," "Sister Ray," "Sweet Jane," "Rock and Roll," "Venus in Furs," "All Tomorrow's Parties," "What Goes On," and "Lisa Says" are just the most famous classics that Reed wrote and sang for the group.

As innovative as the Velvets were at breaking lyrical and instrumental taboos with their crunching experimental rock, they were unappreciated in their lifetime. Five years of little commercial success was undoubtedly a factor in Reed leaving the group he had founded in August 1970, just before the release of their most accessible effort, Loaded. Although Reed's songs and street wise, sing-speak vocals dominated the Velvets, he was perhaps more reliant upon his talented collaborators than he realized, or is even willing to admit to this day. The most talented of these associates was John Cale, who was apparently fired by Reed in 1968 after the Velvets' second album (although the pair have worked together on various other projects since then). Reed has a reputation of being a difficult man to work with for an extended period, and that has made it difficult for his extensive solo oeuvre to compete with the standards of brilliance set by the Velvets. Nowhere was this more apparent than on his self-titled solo debut from 1971, recorded after he'd taken an extended hiatus from music, moving back to his parents' suburban Long Island home at one point. Lou Reed mostly consisted of flaccid versions of songs dating back to the Velvet days, and he could have really used the group to punch them up, as the many outtake versions of these tunes that he actually recorded with the Velvet Underground (some of which didn't surface until about 25 years later) prove. Reed got a shot in the arm (no distasteful pun intended) when David Bowie and Mick Ronson produced his second album, Transformer. A more energetic set that betrayed the influence of glam rock, it also included his sole Top 20 hit, "Walk on the Wild Side," and other good songs like "Vicious" and "Satellite of Love." It also made him a star in Britain, which was quick to appreciate the influence Reed had exerted on Bowie and other glam rockers. Reed went into more serious territory on Berlin (1973), its sweet orchestral production coating lyrical messages of despair and suicide. In some ways Reed's most ambitious and impressive solo effort, it was accorded a vituperative reception by critics in no mood for a nonstop bummer (however elegantly executed). Unbelievably, in retrospect, it made the Top Ten in Britain, though it flopped stateside. Having been given a cold shoulder for some of his most serious (if chilling) work, Reed apparently decided he was going to give the public what it wanted. He had guitarists Steve Hunter and Dick Wagner (who had already played on Berlin) give his music a pop-metal, more radio-friendly sheen. More disturbingly, he decided to play up to the cartoon junkie role that some in his audience seemed eager to assign to him. On-stage, that meant shocking bleached hair, painted fingernails, and simulated drug injections. On record, it led to some of his most careless performances. One of these, the 1974 album Sally Can't Dance, was also his most commercially successful, reaching the Top Ten, thus confirming both Reed's and the audience's worst instincts. As if to prove he could still be as uncompromising as anyone, he unleashed the double album Metal Machine Music, a nonstop assault of unlistenable electronic noise. Opinions remain divided as to whether it was an artistic statement, a contract quota-filler, or a slap in the face of the public. While Reed has never behaved as outrageously (in public and in the studio) as he did in the mid-'70s, there's been plenty of excitement in the past two decades. When he decided to play it relatively straight, sincere, and hard-nosed, he could produce affecting work in the spirit of his best vintage material (parts of Coney Island Baby and Street Hassle). At other points, he seemed not to be putting too much effort into any aspect of his songs ("Rock & Roll Heart"). With 1978's Take No Prisoners, he delivered one of the weirdest concert albums of all time, more of a comedy monologue (which not too many people laughed hard at) than a musical document.

Reed had always been an enigma, but no one questioned the serious intent of his work with the Velvet Underground. As a soloist, it was getting impossible to tell when he was serious, or whether he even wished to be taken seriously anymore. At the end of the '70s, The Bells set the tone for most of his future work. Reed would settle down; he would play it straight; he would address serious, adult concerns, including heterosexual romance, with sincerity. Not a bad idea, but though the albums that followed were much more consistent in tone, they remained erratic in quality and, worse, could occasionally be quite boring. The recruitment of Robert Quine as lead guitarist helped, and The Blue Mask (1982) and New Sensations (1984) were fairly successful, although in retrospect they didn't deserve the raves they received from some critics at the time. Quine, however, would also find Reed too difficult to work with for an extended period. New York (1989) heralded both a commercial and critical renaissance for Reed, and in truth it was his best work in quite some time, although it didn't break any major stylistic ground. Reed works best when faced with a challenge, which arrived when he collaborated with former partner John Cale in 1990 on a song cycle for the recently deceased Andy Warhol. In both its recorded and stage incarnations, this was the most experimental work that Reed had devised in quite some time. Magic and Loss (1992) returned him to the more familiar straight rock territory of New York, again to critical raves. The re-formation of the Velvet Underground for a 1993 European live tour could not be considered an unqualified success, however. European audiences were thrilled to see the legends in person, but critical reaction to the shows was mixed, and critical reaction to the live record was tepid. More distressingly, old conflicts reared their head within the band once again, and the reunion ended before it had a chance to get to America. Cale and Reed at this point seem determined never to work with each other again (the death of Velvet Underground guitarist Sterling Morrison in 1995 seemed to permanently ice prospects of more VU projects). In 1996, the surviving Velvet Underground members were inducted into the Rock and Roll Hall of Fame, performing a newly penned song for their fallen comrade, Morrison. Reed closed the '90s with an album that saw him explore relationships, 1996's Set the Twilight Reeling (many speculated that the album was biographical and focused on his union with performance artist Laurie Anderson), which turned out to not be one of Reed's more critically acclaimed releases. He also found time to compose music for the Robert Wilson opera Timerocker, and in 1998, released the "unplugged" album Perfect Night: Live in London. The same year, Reed was the subject of a superb installment of the PBS American Masters series that chronicled his entire career (eventually released as a DVD, titled Rock and Roll Heart). 2000 saw Reed's first release for Reprise Records, Ecstasy, a glorious return to raw and straightforward rock, a tour de force that many agreed was his finest work since New York. Another collaboration with Robert Wilson, POE-try, followed in 2001 and continued it's worldwide stage run through the year. Including new music by Reed and words adapted from the macabre texts of Edgar Allen Poe, POE-try led to Reed's highly ambitious next album, The Raven. Animal Serenade, a double-disc set recorded at the Wiltern Theater in Los Angeles during his 2003 world tour, was issued in spring 2004. The live effort is Reed's tribute of sorts to his celebrated Rock'n'Roll Animal concert album, which was released 30 years before. Reed's solo work ultimately cannot stack up to his Velvet output, despite its many highlights. Still, most would have to concede that with the exception of Neil Young, no other star that rose to fame in the '60s has continued to push himself so diligently into creating work that is meaningful and contemporary. If that means he relies on stock musical and lyrical ideas at times (as Young does), it also means he's proved that rock can remain relevant to listeners other than hormone-crazed teenagers.



Click Here to go to the second Part of Lou Reed Lyrics or Here to the Third Part



Lou Reed
- 1972 -

I Can't Stand It
Going Down
Walk And Talk It
Lisa Says
Berlin
I Love You
Wild Child
Love Makes You Feel
Ride Into The Sun
Ocean

Transformer
- 1972 -

Vicious
Andy's Chest
Perfect Day
Hangin' 'Round
Walk On The Wild Side
Make Up
Satellite Of Love
Wagon Wheel
New York Telephone Conversation
I'm So Free
Goodnight ladies

Berlin
- 1973 -

Berlin
Lady Day
Men Of Good Fortune
Caroline Says 1
How Do You Think It Feels
Oh Jim
Caroline Says 2
The Kids
The Bed
Sad Song

Rock'n Roll Animal
- 1974 -

Intro
Sweet Jane
Heroin
White Light / White Heat
Lady Day
Rock'n Roll

Sally Can't Dance
- 1974 -

Ride Sally Ride
Animal Language
Baby Face
N.Y.Stars
Kill Your Sons
Ennui
Sally Can't Dance
Billy

 

Coney Island Baby
- 1976 -

Crazy Feeling
Charley's Girl
She's My Best Friend
Kicks
A Gift
Ooohhh Baby
Nobody's Business
Coney Island Baby

Add some NEW lyrics (B-sides, live tracks, Cover), want to CORRECT some of them or found a BUG ? Just send a little EMAIL or simply post a message on the FORUM. Thanx !

Lou Reed

I Can't Stand It


It's hard being a man
Living in a garbage pail
My landlady called me up, oh
She tried to hit me with a mop

I can't stand it any more more
I can't stand it any more more, oh
I can't stand it any more more

But if baby would just come back, it'd be all right
Yeah, if baby would just come back, it would be all right
Come on, baby

I live with thirteen dead cats
A purple dog that wears spats
They're all living out in the hall
And I can't stand it any more

I can't stand it any more more
I can't stand it any more more
I can't stand it any more more

But if baby would just come back, it'd be all right
Oh, if baby would just come back, it would be all right
Be all right, now

Come on, baby

I'm tired of living all alone, yeah
Nobody ever calls me on the phone
But when things are getting better
I just play my music louder

I can't stand it any more more
I can't stand it any more more
I can't stand it any more more
I can't stand it, I can't stand it
I can't stand it, I can't stand it ...

Going Down

When you're in a dream
and you think you've got your problems all nailed down
Pieces of the scheme
Seem to rattle up and to rattle down

And when you start to fall
And those footsteps they start to fade

Then you know you're going down
Yeah, you're falling all around
And you know you're going down
for the last time

When you're in the air
And you're thinking you'll drift off into the rest
Your friends politely advise
Hey look you're pushing too hard
And perhaps you need a rest

And when you start to fall
And all those footsteps they start to fade

Then you know you're going down
Yeah, you're crashing upside down
And you know you're going down
for the last -

Time's not what it seems
it just seems longer, when you're lonely in this world
Everything it seems
would be brighter if your nights were spent with some girl

Yeah, you're falling all around
Yeah, you're crashing upside down
Oh, oh, and you know you're going down
for the last time

Walk And Talk It

I got horrors in my luney tunes
I got dreams and you do, too
I got ten wheel drive, pick you up into your ears

I got retake carbine and in my eyelids gear
I got no one to love and no one to fear

You better walk it, and talk it less you loose that beat
You better loose yourself, mama
And rock yourself right off of your feet

If you're moving too fast, don't you want it to last
You better walk it, talk it
You better walk it as you talk less you loose that beat

I got dimes in my shoes, real nice
I got bells that are laid on ice
I got dreams, let me mix it with a little gin

I got cruel when I told you woman, I'm hard
But me is the one thing baby, you ain't got

You better walk it, and talk it less you loose that beat
You better loose yourself, mama
And rock yourself right off of your feet

Yeah, if you're moving too fast, don't you want it to last
You better walk it, talk it
You better walk it as you talk less you loose that beat

You better walk it, and talk it less you loose that beat
You better loose yourself, mama
And rock yourself right off of your feet

Yeah, if you're moving too fast, now don't you want it to last
You better walk it, talk it
You better walk it as you talk less you loose that beat
Ah - ha - ha

Lisa Says

Lisa says, on a night like this
It'd be so nice if you gave me a great big kiss
And Lisa says, hey honey, for just one little smile
I'll sing and play for you for the longest while

Lisa says
Lisa says
Lisa says, oh no
Lisa says

Lisa says, honey, you must think
I'm some kinda California fool
The way you treat me just like some kind of tool
Lisa says, hey baby, if you stick your tongue in my ear
Then the scene around here will become very clear

Lisa says, oh no
Lisa says, hey, don't you be a little baby
Lisa says, oh no
Lisa says

Hey, if you're looking for a good time Charlie
Well that's not really what I am
You know some good time Charlie
Always out having his fun

But if you're looking for some good, good lovin'
Then sit yourself right over here
You know that those good, those good times
They just seem to pass me by, just like pie in the sky

And Lisa says, on a night like this
It'd be so nice if you gave me a great big kiss
And Lisa says, hey baby, for just one little smile
I'll sing and play for you for the longest while
Let me hear you now

Lisa says, oh no-no
Lisa says, hey, don't you be a little baby
Lisa says, oh no
Lisa says

Why am I so shy
Why am I so shy, geez, you know that those
Good-good times, they just seem to pass me by
Why am I so shy

First time I saw you I was talking to myself
I says, hey you got those pretty-pretty eyes
Such pretty eyes

Now that you are next to me I just get so upset
Hey Lisa, will you tell me why am I so shy

Why am I so shy
Why am I so shy, well you know that those
Good-good times, they just seem to pass me by
Why am I so shy

And Lisa says, on a night like this
It'd be so nice if you gave me a great big kiss
And Lisa says, honey, for just one little smile
I'll sing and play for you for the longest while

Lisa says, oh no, now
Lisa says, hey, don't you be a little baby
Lisa says, oh no
Lisa says

Berlin

In Berlin, by the wall
You were five foot ten inches tall
It was very nice
Candlelight and Dubonnet on ice

We were in a small cafe
You could hear the guitars play
It was very nice
It was paradise

You're right and I'm wrong
Hey babe, I'm gonna miss you now that you're gone
One sweet day

Oh, you're right and I'm wrong
You know I'm gonna miss you now that you're gone
One sweet day
One sweet day

In a small, small cafe
We could hear the guitars play
It was very nice
Candlelight and Dubonnet on ice

Don't forget, hire the vet
He hasn't had much fun yet
It was very nice
Hey honey, it was paradise

You're right and I'm wrong
Hey babe, I'm gonna miss you now that you're gone
One sweet day
You're right, oh, and I'm wrong
You know I'm gonna miss you now that you're gone
One sweet day, one sweet day

One sweet day
One sweet day, oh, one sweet day
One sweet day, baby, baby, one sweet day ...

I Love You

When I think of all the things I've done
And I know that it's only just begun
Those smiling faces
You know, I just can't forget them
But I love you

When I think of all the things I've seen
And I know that it's only the beginning
You know, those smiling faces
I just can't forget them
But for now I love you

Just for a little while
Oh baby, just to see you smile
Just for a little while

When I think of all the things I've done
And I know, that it's only just begun
Oh, smiling faces, Jesus
You know, I can't forget them
But for now, I love you
Watch this minute, baby
Now I love you
At least for now
I love you

Wild Child

I was talkin' to Chuck in his Genghises Khan suit
And his wizard's hat
He spoke of his movie and how he was makin' a new sound track
And then we spoke of kids on the coast
And different types of organic soap
And the way suicides don't leave notes,
Then we spoke of Loraine, always back to Lorraine

I was speakin' to Bill who was given to pills and small racing cars
He had given them up since his last crack-up had carried him too far
Then we spoke of the movies and verse
And the way an actress held her purse
And the way life at times can get worse,
Then we spoke of Loraine, always back to Lorraine

Ah, she's a wild child, and nobody can get at her
She's a wild child, oh, and nobody can get to her

Sleepin' out on the street, oh, livin' all alone
Without a house or a home and then she asked you, please,
Hey, baby, can I have some spare change
Oh, can I break your heart ?

She's a wild child, she's a wild child

I was talkin' to Betty about her auditions, how they made her ill
But life is the theater, is certainly fraught
With many spills and chills
But she'd come down after some wine
Which is what happens most of the time
Then we sat and both spoke in rhymes
Till we spoke of Loraine, ah, always back to Lorraine

I was talking to Ed who's been reported dead by mutual friends
He thought it was funny that I had no money to spend on him
So we both shared a piece of sweet cheese
And sang of our lives and our dreams
And how things can come apart at the seams
And we talk of Lorraine, always back to Lorraine

She's a wild child, oh, and nobody can get at her
She's a wild child, oh, and nobody can get to her

Sleepin' out on the street, oh, livin' all alone
Without a house or a home and then she asked you, please,
Oh, baby, can I have some spare change
Now can I break your heart?"

She's a wild child, she's a wild child

Loves make you feel

Life isn't what is seems, I'm forever drifting into dreams
Such a sad affair, to always be drifting into air

But it's not what you say or you do
that makes me feel like I am falling
It's things that we've both been through
that makes me feel like I am upside down

And love makes you feel ten foot tall
Yes, love makes you feel ten foot tall

Just a funny thing, I'm forever drifting into dreams
Just not the proper thing, to always be drifting into dreams

But it's not what you say or you do
that makes me feel like I am falling
It's things that we've both been through
that makes me feel like I am upside down

And love makes you feel ten foot tall
Yes, love makes you feel ten foot tall

And it sounds like this

Ride Into The Sun

Looking for another chance for someone else to be
Looking for another place to ride into the sun

Ride into the sun, ride into the sun
Ride into the sun ride into the sun
Where -

everything seems so pretty
But if you're tired and you're sick of the city
Remember that it's just a flower, made out of clay
Oh, the city

Where everything seems so dirty
But if you're tired and you're filled with self-pity
Remember that you're just one more person who's there

It's hard to live in the city
It's hard to live in the city, oh - oh - oh
It's hard to live in the city, oh - wow - wow
It's hard to live in the city

Ocean


Here comes the ocean
and the waves down by the sea
Here comes the ocean
and the waves where've they been ?

Don't swim tonight my love
The sea is mad my love
It's known to drive men crazy
Now come that murder seeks
The castle is dead and reeks
The madness can make you lazy

Here come the waves
down by the shore
Washing the rocks that have been here
centuries or more

Down by the sea

Here come the ocean
and the waves down by the sea
Here comes the ocean
and the waves where've they been ?

Castles glowing at night
Towers above out fright
What did happen here
Now comes it in my head
I serve you bread on a pledge
Think of your mouth for dinner

But here come the waves
down by the sea
Washing the eyes of the men
who have died

Down by the sea

Here come the waves X4


Transformer

Vicious

Vicious, you hit me with a flower
You do it every hour
Oh, baby you're so vicious
Vicious, you want me to hit you with a stick
But all I've got is a guitar pick
Oh baby, you're so vicious

When I watch you come, baby, I just want to run far away
You're not the kind of person around I want to stay
When I see you walking down the street
I step on your hands and I mangle your feet
You're not the kind of person that I want to meet
Baby, oh you're so vicious, you're so vicious

Vicious, you hit me with a flower
You do it every hour
Oh, baby you're so vicious
Vicious, hey why don't you swallow razor blades
You must think that I'm some kind of gay blade
But baby, you're so vicious

When I see you coming I just have to run
You're not good and you certainly aren't very much fun
When I see you walking down the street
I step on your hand and I mangle your feet
You're not the kind of person that I'd even want to meet
'Cause you're so vicious, baby, you're so vicious
Vicious, vicious...

Andy's Chest

If I could be anything in the world that flew
I would be a bat and come swooping after you
And if the last time you were here, things were a bit askew
Well, you know what happens after dark
When rattlesnakes loose their skins and their hearts
And all the missionaries loose their bark
All the trees are calling after you
And all the venom snipers after you
Are all the mountains boulder after you

If I could be anything of the things in this world that bite
Instead of being a tethered ocelot on a leash
I'd rather be your kite
And be tied to the end of your string
And flying in the air, babe, at night
Because you know what they say about honey bears
When you shave off all their baby hair
You've got a hairy minded big bare bear
And all the bells are rolling out for you
And stones are all erupting out for you
And all the cheap bloodsuckers are flying after you

Yesterday, Daisy Mae end Biff were grooving down the street
And just like in a movie, her hands became her feet
Her belly button was her mouth
Which meant she tasted what she'd speak
But the funny thing is what happened to her nose
It grew until it reached all of her toes
Now, when people say her feet smell, they mean her nose
And curtains laced with diamonds, dear, for you
And kingdom's Christian sailors (soldiers), dear, for you
And melting ice cap mountains, dear, for you
And knights in flaming silver robes for you
And bats, that with a kiss turn prince for you
Swoop, swoop, oh, baby, rock, rock ...

Perfect Day

Just a perfect day
drink Sangria in the park
And then later
when it gets dark, we go home

Just a perfect day
feed animals in the zoo
Then later
a movie, too, and then home

Oh, it's such a perfect day
I'm glad I spend it with you
Oh, such a perfect day
You just keep me hanging on
You just keep me hanging on

Just a perfect day
problems all left alone
Weekenders on our own
it's such fun

Just a perfect day
you made me forget myself
I thought I was
someone else, someone good

Oh, it's such a perfect day
I'm glad I spent it with you
Oh, such a perfect day
You just keep me hanging on
You just keep me hanging on

You're going to reap just what you sow X4

Hangin' 'Round

Harry was a rich young man who would become a priest
He dug up his dear father who was recently deceased
He did it with tarot cards and a mystically attuned mind
And shortly there and after he did find

Jeanny was a spoiled young brat, she thought she knew it all
She smoked mentholated cigarettes and she had sex in the hall
But she was not my kind or even of my sigh
The kind of animal that I would be about

Oh oh oh, you keep hangin' 'round me
And I'm not so glad you found me
You're still doing things that I gave up years ago
Oh oh oh, you keep hangin' 'round me
And I'm not so glad you found me
You're still doing things that I gave up years ago
Hangin' 'round, hangin' 'round

Cathy was a bit surreal, she painted all her toes
And on her face she wore dentures clamped tightly to her nose
And when she finally spoke her twang her glasses broke
And no one else could smoke while she was in the room

Hark the herald angels sang and reached out for a phone
And plucking it with ivory hand dialed long distance home
But it was all too much sprinkling angel dust to A.T. and T.
Who didn't wish you well

Oh oh oh, you keep hangin' 'round me
And I'm not so glad you found me
You're still doing things that I gave up years ago
Oh oh oh, you keep hangin' 'round me
And I'm not so glad you found me
You're still doing things that I gave up years ago
Hangin' 'round, hangin' 'round

Walk On The Wild Side

Holly came from Miami FLA
Hitch-hiked her way across the USA.
Plucked her eyebrows on the way
Shaved her leg and then he was a she
She said, hey babe, take a walk on the wild side,
Said, hey honey, take a walk on the wild side.

Candy came from out on the island,
In the backroom she was everybody's darling,
But she never lost her head
Even when she was given head
She said, hey baby, take a walk on the wild side
She said, hey babe, take a walk on the wild side
And the coloured girls go, doo doo doo, doo ...

Little Joe never once gave it away
Everybody had to pay and pay
A hustle here and a hustle there
New York city is the place where they said:
Hey babe, take a walk on the wild side
I Said hey Joe, take a walk on the wild side

Sugar Plum Fairy came and hit the streets
Lookin' for soul food and a place to eat
Went to the Apollo
You should have seen him go go go
They said, hey Sugar, take a walk on the wild side
I said, hey honey, take a walk on the wild side

Jackie is just speeding away
Thought she was James Dean for a day
Then I guess she had to crash
Valium would have helped that dash
She said, hey babe, take a walk on the wild side
I said, hey honey, take a walk on the wild side
And the coloured girls say doo doo doo, doo ...

Make Up

Your face when sleeping is sublime
And then you open up your eyes

Then comes pancake factor number one
Eyeliner, rose hips and lip gloss, such fun
You're a slick little girl, you're a slick little girl
Rouge and coloring, incense and ice
Perfume and kisses, oh it's all so nice
You're a slick little girl, you're a slick little girl

Now we're coming out, out of our closets
Out on the streets, yeah, we're coming out


When you're in bed it's so wonderful
It'd be so nice to fall in love
When you get dressed I really get my fill
People say that it's impossible

Gowns lovely made out of lace
And all the things that you do to your face
You're a slick little girl, you're a slick little girl
Eyeliner, whitener then color the eyes
Yellow and green, oh what a surprise
You're a slick little girl, oh, you're such a slick little girl

Now we're coming out, out of our closets
Out on the streets, yes, we're coming out
Yeah, we're coming out ...

Satellite Of Love

Satellite's gone up to the skies
Thing like that drive me out of my mind

I watched it for a little while
I like to watch things on TV

Satellite of love
Satellite of love
Satellite of love
Satellite of ...

Satellite's gone way up to Mars
Soon it will be filled with parking cars

I watch it for a little while
I love to watch things on TV

Satellite of love ...

I've been told that you've been bold
With Harry, Mark and John
Monday, Tuesday, Wednesday, to Thursday
With Harry, Mark and John

Satellite's gone up to the skies
Thing like that drive me out of my mind

I watched it for a little while
I love to watch things on TV

Satellite of love ...

Wagon Wheel

Won't you be my wagon wheel
Won't you tell me, baby, how do you feel ?

Yeah you got to live yeah your life as though you're number one
Yeah you got to live yeah your life
And make a point of having some fun

But if you think that you get kicks
From flirting with danger, danger ooh
Just kick her in head and rearrange her

Oh heavenly father, what can I do ?
What she's done to me is making me crazy
Oh heavenly father, I know I have sinned but look where I've been
It's making me lazy

Won't you be my wagon wheel
Won't you tell me, baby, how do you feel ?

You got to live yeah your life as though you're number one
Yeah you got to live yeah your life
And make a point of having some fun

But if you think that you get kicks
From flirting with danger, danger ooh
Just kick her in head and rearrange her

And then why don't you wake me, shake me
Please don't you let me sleep too long ...

New York Telephone Conversation

I was sleeping, gently napping when I heard the phone
Who is on the other end talking, am I even home ?

Did you see what she did to him, did you hear what they said ?
Just a New York conversation rattling in my head

Ooh my, and what shall we wear, ooh my, and who really cares ?

Just a New York conversation, gossip all of the time
"Did you hear who did what to whom ?", happens all the time

Who has touched and who has dabbled hear in the city of shows
Openings, closings, badrap party - everybody knows

Ooh, how sad and why do we call, ooh I'm glad to hear from you all

I am calling, yes I am calling just to speak to you
For I know this night will kill me, if I can't be with you

If I can't be with you

I'm So Free

Yes I'm Mother Nature's son
And I'm the only one
I do what I want and I want what I see
Could only happen to me

I'm so free, I'm so free

Oh please, Saint Germaine
I have come this way
Do you remember the shape I was in
I had horns and fins

I'm so free, I'm so free

Do you remember the silver walks
You used to shiver and I used to talk
Then we went down to Times Square
And ever since I've been hanging around there

I'm so free, I'm so free

Yes I'm Mother Nature's son
And I'm the only one
I do what I want and I want what I see
Could only happen to me

I'm so free, I'm so free

Oh - oh - oh, I'm so free, I'm so free
When I feel good, I'm so free ...
Early in the morning, I'm so free
Late in the evening, I'm so free, I'm so free ...

Goodnight Ladies

Goodnight ladies, ladies goodnight
It's time to say goodbye
Let me tell you, now, goodnight ladies, ladies goodnight
It's time to say goodbye

Ah, all night long you've been drinking your tequilla rye
But now you've sucked your lemon peel dry
So why not get high, high, high and
Goodnight ladies, ladies goodnight

Goodnight ladies, ladies goodnight
It's time to say goodbye
Goodnight sweet ladies, all ladies goodnight
It's time to say goodbye, bye-bye

Ah, we've been together for the longest time
But now it's time to get high
Come on, let's get high, high, high
And goodnight ladies, ladies goodnight

Oh, I'm still missing my other half
Oh, it must be something I did in the past
Don't it just make you wanna laugh
It's a lonely Saturday night
Oh, nobody calls me on the telephone
I put another record on my stereo
But I'm still singing a song of you
It's a lonely Saturday night

Now, if I was an actor or a dancer that was glamorous
Then, you know, an amourus life would soon be mine
But now the tinsel light of star break
Is all that's left to applaud my heart break
And eleven o'clock I watch the network news

Oh, oh, oh, something tells me that you're really gone
You said we could be friends, but that's not what's not what I want
And, anyway, my TV-dinner's almost done
It's a lonely Saturday night
I mean to tell you, it's a lonely Saturday night
One more word, it's a lonely Saturday night


Berlin

Berlin

In Berlin, by the wall
You were five foot ten inches tall
It was very nice
Candlelight and Dubonnet on ice

We were in a small cafe
You could hear the guitars play
It was very nice
It was paradise

Lady Day

When she walked on down the street
She was like a child staring at her feet
But when she passed the bar
And she heard the music play
She had to go in and sing
It had to be that way
She had to go in and sing
It had to be that way

And I said no, no, no
Oh, Lady Day
And I said no, no, no
Oh, Lady Day

After the applause had died down
And the people drifted away
She climbed down the bar
And went out the door
To the hotel
That she called home
It had greenish walls
A bathroom in the hall

And I said no, no, no
Oh, Lady Day
And I said no, no, no
Oh, Lady Day

Men Of Good Fortune

Men of good fortune, often cause empires to fall
While men of poor beginnings, often can't do anything at all
The rich son waits for his father to die
The poor just drink and cry
And me I just don't care at all

Men of good fortune, very often can't do a thing
While men of poor beginnings, often can do anything
At heart they try to act like a man
Handle things the best way they can
They have no rich daddy to fall back on

Men of good fortune, often cause empires to fall
While men of poor beginnings, often can't do anything at all
It takes money to make money they say
Look at the Fords, but didn't they start that way
Anyway, it makes no difference to me

Men of good fortune, often wish that they could die
While men of poor beginnings want what they have
And to get it they'll die
All those great things that live has to give
They wanna have money and live
But me, I just don't care at all

Men of good fortune
Men of poor beginnings

Caroline Says 1

Caroline says that I'm just a toy
She wants a man, not just a boy
Oh, Caroline says, ooh Caroline says

Caroline says she can't help but be mean
Or cruel, or oh so it seems
Oh, Caroline says, Caroline says

She say she doesn't want a man who leans
Still she is my Germanic Queen
Yeah, she's my Queen

The things she does, the things she says
People shouldn't treat others that way
But at first I thought I could take it all

Just like poison in a vial, hey she was often very vile
But of course, I thought I could take it all

Caroline says that I'm not a man
So she'll go get it catch as catch can
Oh, Caroline says, yeah, Caroline says

Caroline says moments in time
Can't continue to be only mine
Oh, Caroline says, yeah, Caroline says

She treats me like I am a fool
But to me she's still a German Queen
Ooh, she's my Queen
Queen ...

How Do You Think It Feels

How do you think it feels
When you're speeding and lonely
Come here baby
How do you think it feels
When all you can say is: If only

If only I had a little
If only I had some change
If only, if only, only
How do you think it feels
And when do you think it stops ?

How do you think it feels
When you've been up for five days
Come down here Mama
Hunting around always - ooh
'Cause you're afraid of sleeping

How do you think it feels
To feel like a wolf and foxy
How do you think it feels
To always make love by proxy ?
How do you think it feels
And when do you think it stops ?
When do you think it stops ?

Oh Jim

All your two-bit friends they're shootin' you up with pills
They said that it was good for you, that it would cure your ills

I don't care just where it's at
I'm just like an alley cat

And when you're filled up to here with hate
Don't you know you gotta get it straight
Filled up to here with hate
Beat her black and blue and get it straight

Do, do, do, do, do, do,
When you're lookin' through the eyes of hate

All your two-bit friends they're ask you for your autograph
They put you on the stage, they thought it'd be good for a laugh

But I don't care just where it's at
'Cause honey I'm just like an alley cat

And when you're filled up to here with hate
Don't you know you gotta get it straight
Filled up to here with hate
Beat her black and blue and get it straight

Uh huh

Oh Jim, how could you treat me this way
Hey hey hey
How could you treat me this way ?

Oh Jim, how could you treat me this way
Hey hey
How could you treat me this way ?

You know you broke my heart
Ever since you went away
Now you said that you love us
But you only make love to one of us
Oh Jim, how could you treat me this way
You know you broke my heart
Ever since you went away
When you're looking through the eyes of hate
Oh, oh, oh, oh
When you're looking through the eyes of hate
Oh, oh, oh, oh ...

Caroline Says 2

Caroline says - as she gets up off the floor
Why is it that you beat me - it isn't any fun

Caroline says - as she makes up her eyes
You ought to learn more about yourself - think more than just I

But she's not afraid to die
All her friends call her 'Alaska'
When she takes speed, they laugh and ask her
What is in her mind, what is in her mind

Caroline says - as she gets up from the floor
You can hit me all you want to, but I don't love you anymore
Caroline says - while biting her lip
Life is meant to be more than this - and this is a bum trip

But she's not afraid to die
All her friends call her 'Alaska'
When she takes speed, they laugh and ask her
What is in her mind, what is in her mind

She put her fist through the window pane
It was such a funny feeling

It's so cold in Alaska X3

The Kids

They're taking her children away
Because they said she was not a good mother
They're taking her children away
Because she was making it with sisters and brothers
And everyone else, all of the others
Like cheap officers who would stand there and flirt in front of me

They're taking her children away
Because they said she was not a good mother
They're taking her children away
Because of the things that they heard she had done
The black Air Force sergeant was not the first one
And all of the drugs she took, every one, every one

And I am the Water Boy, the real game's not over here
But my heart is overflowin' anyway
I'm just a tired man, no words to say
But since she lost her daughter
It's her eyes that fill with water
And I am much happier this way

They're taking her children away
Because they said she was not a good mother
They're taking her children away
Because number on was the girl friend from Paris
The things that they did - ah - they didn't have to ask us
And then the Welshman from India, who came here to stay

They're taking her children away
Because they said she was not a good mother
They're taking her children away
Because of the things she did in the streets
In the alleys and bars, no she couldn't be beat
That miserable rotten slut couldn't turn anyone away

I am the Water Boy, the real game's not over here
But my heart is overflowin' anyway
I'm just a tired man, no words to say
But since she lost her daughter
It's her eyes that fill with water
And I am much happier this way

The Bed

This is the place where she lay her head
When she went to bed at night
And this is the place our children were conceived
Candles lit the room brightly at night

And this is the place where she cut her wrists
That odd and fateful night
And I said, oh, oh, oh, oh, oh, oh, what a feeling
And I said, oh, oh, oh, oh, oh, oh, what a feeling

This is the place where we used to live
I paid for it with love and blood
And these are the boxes that she kept on the shelf
Filled with her poetry and stuff

And this is the room where she took the razor
And cut her wrists that strange and fateful night
And I said, oh, oh, oh, oh, oh, oh, what a feeling
And I said, oh, oh, oh, oh, oh, oh, what a feeling

I never would have started if I'd known
That it's end this way
But funny thing, I'm not at all sad
That it stopped this way

This is the place where she lay her head
When she went to bed at night
And this is the place our children were conceived
Candles lit the room brightly at night

And this is the place where she cut her wrists
That odd and fateful night
And I said, oh, oh, oh, oh, oh, oh, what a feeling
And I said, oh, oh, oh, oh, oh, oh, what a feeling

Sad Song

Staring at my picture book
She looks like Mary, Queen of Scots
She seemed very regal to me
Just goes to show how wrong you can be

I'm gonna stop wastin' my time
Somebody else would have broken both of her arms

Sad song, Sad song, Sad song, Sad song

My castle, kids and home
I thought she was Mary, Queen of Scots
I tried so very hard
Shows just how wrong you can be

I'm gonna stop wasting time
Somebody else would have broken both of her arms

Sad song, Sad song, Sad song, Sad song


Rock'n Roll Animal

Sweet Jane

( Loaded version )

Standing on the corner, suitcase in my hand
Jack is in his corset, Jane is her vest
And me, I'm in a rock'n'roll band
Ridin'a Stutz Bearcat, Jim
You know, those were different times
Oh, all the poets, they studied rules of verse
And those ladies, they rolled their eyes
Sweet Jane, sweet Jane, sweet Jane

I'll tell you something, that Jack, he is a banker
And Jane, she is a clerk
And both of them save their monies
And when they come home from work
Ooh, sittin' down by the fire
Oh, the radio does play
The classical music, said Jim, the `March of the Wooden Soldiers`
All you protest kids, you can hear Jack say, get ready
Sweet Jane, come on, baby
Sweet Jane, sweet Jane

Some people, they like to go out dancing
Other peoples, they have to work
Just watch me now
And there's some evil mothers
Well they're gonna tell you that everything is just dirt
You know, that women never really faint
And that villains always blink their eyes
And that, you know, children are the only ones who blush
And that life is just to die
But anyone who ever had a heart
Oh, they wouldn't turn around and break it
And anyone who's ever played a part
Oh, they wouldn't turn around and hate it

Sweet Jane, sweet Jane, sweet Jane ...

Heroin

I don't know just where I'm going
But I'm gonna try for the kingdom, if I can
'cause it makes me feel like I'm a man
When I put a spike into my vein
And I tell you things aren't quite the same
When I'm rushing on my run
And I feel just like Jesus' son
And I guess that I just don't know
And I guess that I just don't know

I have made the big decision
I'm gonna try to nullify my life
'cause when the blood begins to flow
When it shoots up the dropper's neck
When I'm closing in on death
You can't help me now, you guys
And all you sweet girls with all your sweet talk
You can all go take a walk
And I guess I just don't know
And I guess that I just don't know

I wish that I was born a thousand years ago
I wish that I'd sailed the darkened seas
On a great big clipper ship
Going from this land here to that
In a sailor's suit and cap
Away from the big city
Where a man cannot be free
Of all the evils of this town
And of himself and those around
Oh, and I guess that I just don't know
Oh, and I guess that I just don't know

Heroin, be the death of me
Heroin, it's my wife and it's my life
Because a mainline in my vein leads to a center in my head
And then I'm better off than dead
Because when the smack begins to flow
I really don't care anymore
About all the Jim-Jims in this town
And all the politicians making crazy sounds
And everybody putting everybody else down

And all the dead bodies piled up in mounds
'cause when the smack begins to flow
And I really don't care anymore
Ah, when that heroin is in my blood
And the blood is in my head
Then I thank God that I'm as good as dead
And thank your God that I'm not aware
And thank God that I just don't care
And I guess that I just don't know
Oh, and I guess that I just don't know

White Light / White Heat

White light
White light going messin' up my mind
Don't you know, it's gonna make me go blind
White heat
White heat, it tickle me down to my toes
White light
Oh, have mercy, white light have it, goodness knows

White light
White light going messin' up my brain
White light
Ooooh, white light it's gonna drive me insane
White heat
Ooooh, white heat, it tickle me down to my toes
White light
Ooooh, white light, I said now, goodness knows
Do it

Ooooh, white light
I surely do love watch that stuff shooting itself in
Ooooh, white light
Watch that side, watch that side
Don't you know, gonna be dead and bright
Ooooh, white heat
Yeah foxy mama, watch her walking down the street
Ooooh, white light
Come upside, your head gonna make a dead end on your street

White light
White light light moving me drain my brain
White light
Gonna make me really go insane
White heat
Ooooh, white heat, it tickle me down to my toes
White light
Ooooh, white light, I said now, goodness knows

White light
Ooooh, white light, it's lightin' up my eyes
White light
Don't you know it fills me up with surprise
White heat
Ooooh, white heat, tickle me down to my toes
White light
Ooooh, white light, I tell you now, goodness knows
work at it

Ooooh she surely do move speed
Ooooh, white light
Watch that speed freak, watch that speed freak
Everybody gonna make it every week
Ooooh, white heat
Oh, sputter mutter, everybody gonna kill their mother
White light
Here she comes, here she comes
Everybody get it, make me run, do it, higher

Lady Day

When she walked on down the street
She was like a child staring at her feet
But when she passed the bar
And she heard the music play
She had to go in and sing
It had to be that way
She had to go in and sing
It had to be that way

And I said no, no, no
Oh, Lady Day
And I said no, no, no
Oh, Lady Day

After the applause had died down
And the people drifted away
She climbed down the bar
And went out the door
To the hotel
That she called home
It had greenish walls
A bathroom in the hall

And I said no, no, no
Oh, Lady Day
And I said no, no, no
Oh, Lady Day

Rock And Roll

Jenny said, when she was just five years old
There was nothin' happening at all
Every time she puts on the radio
There was nothin' goin' down at all, not at all
Then, one fine mornin', she puts on a New York station
You know, she couldn't believe what she heard at all
She started shakin' to that fine, fine music
You know, her life was saved by rock'n'roll

Despite all the imputations
You know, you could just go out
And dance to a rock'n'roll station
And it was all right, hey baby,
You know, it was all right

Jenny said, when she was just about five years old
`You know, my parents are gonna be the death of us all
Two TV sets and two Cadillac cars
Well, you know, ain't gonna help me at all`

Then, one fine morning, she turns on a New York station
She doesn't believe what she hears at all
Ooh, she started dancin' to that fine, fine music
You know, her life was saved by rock'n'roll
Yeah, rock'n'roll

Despite all the computations
You could just dance to that rock'n'roll station
And baby, it was all right, yeah
Hey, it was all right
Hey, here she comes now

Jenny said, when she was just about five years old
'Hey, you know, there's nothin' happening at all, not at all
Every time I put on the radio
You know, there's nothin' goin' down at all, not at all
But, one fine morning, she hears a New York station
She couldn't believe what she heard at all, hey, not at all
She started dancing to that fine, fine music
You know, her life was saved by rock'n'roll
Yes, rock'n'roll

Despite all the computations
You know, you could just dance to the rock'n'roll station

All right
All right, all right, and it was all right
Oh, listen to me now, it was all right
Come on now, believe me, it was all right
it was all right
hey, it's all right now,.......


Sally Can't Dance

Ride, Sally, Ride

Sit yourself down, bang out a tune on the grand piano
Sit yourself down, lay languidly down upon that sofa
Oooh isn't it nice, when your heart is made out of ice
Ride, Sally, ride
It's not your time or way of confusion
Ride, Sally, ride
'Cause if you don't, you'll get a contusion
Oooh isn't it nice, when your heart is made out of ice

Sit yourself down, take of your pants
Don't you know this is a party
Sit yourself down
Why do you think we brought all these people, Miss Brandy
Oooh isn't it nice, when your heart is made out of ice
Ride, Sally, ride
It's not your time or way of confusion
Ride, Sally, ride
It's not your time or way of confusion
Oooh isn't it nice
When you find your heart is made out of ice
Ride, Sally ride, ride, ride, ride
Ride, Sally, ride

Animal Language

Miss Riley had a dog
She used to keep it in her back yard
And when the dog began to bark
All the neighbours began to shout
Then came a stormy night, Miss Riley let her dog out
And when the neighbours found him 'round
They put a gun down his mouth and shot him down
And he went: oooh wow, bow wow, oooh wow, bow wow

Miss Murphy had a cat, on her lap it sat
And once in a great big while
And once in a great big while
It looked like that Cheshire cat did smile
But one day it got so hot
That Cheshire cat had a blood clot
And she said: oooh meow meow, oooh meow meow

Then the dog met the cat
The dog was hot and the cat was met
Then came some sweaty dude
He put a board between the two
Then they couldn't get at it, got frustrated all about it
So they did the only thing you could do
They took the dude's sweat and shot it up between the two
And they said: oooh wow, bow wow meow, oooh wow, bow wow meow

Baby Face

Jim, livin' with you'd not such fun
You're not not the only one
You don't have the looks
You're not the person that you used to be
And there are people in the street that would go for me

And I said, no, no, no, no, no, baby face
And I said, no, no, no, no, no, baby face

I met you in a bar in L.A., I was not feeling so good
And you made the proper moves, you did everything that you should
But now you're making a mistake
And somebody else will take your place
You're talking drugs over me

And I said, no, no, no, no, no
And I said, no, no, no, no, no
And I said, no, no, no, no, no, baby face
And I said, no, no, no, no, no, baby face

You're not the kind of person that's easy
To live with in a house
I cool all your meals
I make sure that you work out
But lately it's been gettin' so hard
The way you talk, oooh, the way you walk
And I'm not sure exactly what it's all about

And I said, no, no, no, no, no, baby face
And I said, no, no, no, no, no, baby face
And I said, no, no, no, no
And I said, no, no, no, no, oooh, baby face
No, no, baby face
No, no, no, baby face
(you can keep it, just keep it)

N.Y.Stars

The stock is empty in our eyeball store
All we got left, a few cataracts and sores
The faggot mimic machine never had an ides
Mission impossible, they self destruct on fear
On a standard N.Y. night ghouls go to see their so called 'stars'
A fairly stupid thing, to pay five bucks for a 4th rate imitation

They say:' I'm so empty, no surface, no depth
Oh please, can't I be you, your personality's so great.'
Like new buildings, square, tall and the same
Sorry, Miss Stupid, didn't you know it was a game
I'm just waiting for them to hurry up and die
It's really getting to crowed here
Help me N.Y. stars

Contributions accepted all the same
We need new people store
Remember, we're very good at games

Kill Your Sons

All your two-bit psychiatrists are giving you electro shock
They say, they let you live at home, with mom and dad
Instead of mental hospital
But everytime you tried to read a book
You couldn't get to page 17
'Cause you forgot, where you were
So you couldn't even read
Don't you know, they're gonna kill your sons
Don't you know, they're gonna kill, kill your sons
They're gonna kill, kill your sons
Until they run run run run run run run run away

Mom informed me on the phone
She didn't know what to do about dad
Took an axe and broke the table
Aren't you glad you're married
And sister, she got married on the island
And her husband takes the train
He's big and he's fat and he doesn't even have a brain
They're gonna kill your sons
Don't you know, they're gonna kill, kill your sons
Don't you know, they're gonna kill, kill your sons
Until they run away

Creedmore treated me very good
But Paine Whitney was even better
And when I flipped on PHC
I was so sad I didn't even get a letter
All of the drugs, that we took, it really was lots of fun
But when they shoot you up with thorizene on crystal smoke
You choke like a son of a gun
Don't you know, they're gonna kill your sons
Don't you know, they're gonna kill, kill your sons
They're gonna kill, kill your sons
Until they run run run run run run run run away

Ennui

All the things you said - you thought I was dead
Everything made me feel aware
Ah, you're getting old, you're doing things
You're losing your hair
All the things that you used to believe in
Turned out to be true - you're guilty of reason

You're the kind of person that I could do without
And certain kinds of money would make you see what it's all about
There's a first time for everything
There's a first one's on me, don't you see

All of the things that your old lover said
Look at them, they jump out of windows
And now they're just dead
It's the truth, don't you realize

Faded without any talent of fun
Running out in the streets, balling everyone
It's the truth, It's the truth

Pick up the pieces that make up your life
Maybe some day you'll have a wife and them alimony
Oh, can't you see

Sally Can't Dance

Sally dances on the floor
She says she can't do it anymore
She walks down St. Marks Place
And eats natural food at my place

Sally can't dance no more, she can't get off of the floor
Sally can't dance no more
They found her in the trunk of a ford
Oooh, she can't dance no more

Sally is loosing her face
She lives on St., Marks Place
In a rent-controlled appartment, eighty dollars a month
She has lots of fun, she has lots of fun

But, Sally can't dance no more
Sally can't dance no more
She took too much meth and can't get off the floor
Now Sally, she can't dance no more

She was the first girl in the neighbourhood
To wear tied-dyed pants, ah, like she should
She was the first girl that I ever seen
That had flowers painted on her jeans
She was the first girl in her neighbourhood
that got raped on Tompkins Square real good
Now she wears a sword, like Napoleon
And she kills the boys and acts like a son

Sally can't dance no more, Sally can't dance no more
She can't get herself off the floor, Sally, she can't dance no more

Sally became a big model, she moved up to eighties and park
She had a studio appartment and that's where she used to ball
folk singers, and that's where she used to ball folk singers

Sally can't dance no more, Sally can't get off of the floor
She can't dance no more, Sally can't dance

She knew all the right people, she went to Le Jardin
She danced with Picasso's illegitimate mistress
And wore Kenneth Lane jewels - it's trash -

But - Sally can't dance no more, she can't get off of the floor
Sally can't dance no more, Sally can't dance

Billy

Billy was a good friend of mine
We grew up together ever since we were nine
We went to school, he was my best friend
And I thought our friendship would never end

In highschool he played football
And me, I didn't do anything at all
He made touch-downs, while I played pool
And no one could figure out, which one of us was the fool

Then we both went to collage
He studied medicine, while I studied foilage
He got "A's", and I got "D's"
He was going for his P.H.D.
The I decided to drop out
Then I decided to drop out
Things were getting a little to hot

Billy stayed there, became an intern, then a doctor
Then war broke out and he had to go
But not me, I was mentally unfit or so they say, so, so

When he came back, he wasn't quite the same
His nerves were shot, but not me
Last time I saw him, I couldn't take it anymore
He wasn't the Billy I knew, it was like talking to a door

Billy was a friend of mine
I grew up with him ever since we were nine
We went together to school
And now I often wonder, which one of us was the fool


Coney Island Baby

Crazy Feeling

You're the kind of person that I've been dreaming of
You're the kind of person that I always wanted to love
And when I first seen you walk right through that bar door
And I seen those suit and tie johns buy you one drink
And then buy you some more I had a -

I know you had that crazy feeling
Now, now, now, you're got that crazy feeling
You know that I've had that crazy feeling, too
I can see it in your ..
You got that crazy feeling
Now, now, now, now, now, you got that crazy feeling
I've had that crazy feeling, too

Now everybody knows that business ends at three
And everybody knows that after hours love is free
And you, you really are a queen
Oh, such a queen, such a queen
And I know, 'cause I made the same scene
I know just what you mean
Because you got that crazy feeling
Now, now, now, now, you're got that crazy feeling
You got that crazy feeling deep inside
Now, I can see it in your eyes
You got that crazy feeling
Now, now, now, now, you're got that crazy feeling
And you got that crazy feeling, too
I feel just like, feel just like you
Crazy feeling ...

Charley's Girl

Everybody said you bet you better watch out
Man, she's gonna turn you in
And me, you know, I thought that I looked out
Now look at the trouble that I looked out
You better watch out for Charley's girl
Watch out for Charley's girl ...

It happened on New Year's Eve
They said everybody had to leave
They had a warrant in their hand
They wanted to bust the whole band
I said if I ever see Sharon again
I'm gonna punch her face in
You know, you better watch out for Charley's girl
Hey, now, now watch out for Charley's girl
You know she'll turn you - turn you in
Watch out for Charley's girl
Watch out for Charley's girl
She'll turn you in
You better watch out, you better watch out ...
For Charley's girl, for Charley's girl now

She's My Best Friend

She's my best friend, certainly not your average girl
Yeah, she's my best friend
She understands me when I'm feeling
Dow-dow-dow-dow-dow-down
You know, it sure hurts to be that way
Dow-dow-dow-dow-dow-down
You know it sure hurts to know that you're that kinda fella
Here's to Mullberry-Jane
She made jam when she came
Somebody cut off her feet
Now jelly rolls in the street

If you want to see me
Well, honey you know that I 'm not around
But if you want to hear me
Why don't you just turn around
I'm by the window where the light is

She' my best friend
Certainly not just like your average dog or car
She's my best friend
She understands me when I'm feeling dow-dow-dow-dow-dow-down
You know, it sure hurts to be that way
Dow-dow-dow-dow-dow-down
You know, it sure hurts to know that you're that kinda fella
Let's hear one for Newspaper Joe
He caught his hand in the door
Dropped his teeth on the floor
They say, hey, now jokers
That's the way the news goes

If you want to see, yeah, see me
Well, baby, you know that I 'm not around
But if you want to feel, yeah, feel me
Why don't you just turn around
I'm by the window where the light is fake
She's my best friend, she's my best friend
Tell me baby now
She's my best friend, oh, she's my, she's my best friend
She's my best friend ...

Kicks

Hey man, what's your style
How you get your kicks for living
Hey man, what's your style
How you get your adrenalin flowing now
How you get your adrenalin flowing

Hey man, what's your style
I love the way, try to call now
Hey man, what's your style
I ain't jealous of the way you're living
I ain't jealous of the way you're living
When you cut that dude with just a little mania
You did it so .. ah

When the blood comma' down his neck
Don't you know it was better than sex, now, now, now
It was way better than getting mean
'Cause it was the final thing to do, now
Get somebody to come on to you
And then you just get somebody to ..
To now, now, come on to you
And then you kill them
You kill them, now, now, cause I need kicks ...
I'm getting bored, I n-n-n-need now, now some kicks
Oh, give it, give it, give it to me now, kicks

You know, I love the way you drive your car now
Hey man, what's your style
I ain't jealous of the way you're living
Ain't jealous of the way you're living
When your slayed that cat that night
You did it so crudely, now
With that blood coming down his chest
It was way better than sex, now, now
It was way better than getting mean
It was the final thing to do
Get somebody to came, come on to you, then
Get somebody to come on to you
Better kill them now
Better kill him now, now
Yeah, kill him now, now
Kill him now, now
'Cause I need kicks
Yeah, n-n-n-n-n-n-n-need some kicks
N-n-n-n-n-n-n-n-need some kicks
Oh come on, give me kicks
Kicks, kicks ...

A Gift

I'm just a gift to the women of this world
I'm just a gift to the women of this world

Responsibility sits so hard on my shoulder
Like a good wine I'm better as I grow older

And now I'm just a gift to the women of this world
I'm just a gift to the women of this world
I'm just a gift to the women of this world

It's hard to settle for second best
After you've had me
You know that you've had the best
And now you know

That I'm just a gift to the women of this world

Responsibility sits hard on my shoulder
Like a good wine I'm better as I get older
And now I'm just a gift to the women of this world
You know
That I'm just a gift to the women of this world
Just a gift now

I'm just a gift to the women of this world
I'm just a gift to the women of this world

Ooohhh Baby

You're the kind of girl everybody warned me about
You're the kind of person, that everybody's just staring at
But now you are a topless dancer
Working out of a bar on Times Spuare
And everybody wishes you were back down in some corner
Only Baby know

You make me go ooohhh baby ooohhh baby ooohhh baby
Ooohhh, ooohhh, ooohhh
Ooohhh baby, ooohhh baby ooohhh baby
Ooohhh, ooohhh, ooohhh

Your old man was the best P and E man down on the streets
And all the guy in the precinct
Always was watching for him on the beat
But when he ripped off Seymour
He was really not a doing so fine
And everything is knots
Well except his hands and legs
And maybe even mime, you see
They just make them strip off

They say ooohhh baby, ooohhh ...

It's very funny asking me
Why they keep the lights on down so low
Well, yesterday's chase's today's competition
Or didn't you know
And the all fluorescent lighting
Make so your wrinkles, they don't show
And it's very funny
The way that 20 bucks an hour cannot go
If you don't make 'em go

Now, now, now, ooohhh baby, ooohhh ...

Everybody wondered 'bout you when you was seen in
Drinking some beer
You got here from Ohio and your mother said
You hooked her in the real near
That's the way it goes now

Ooohh baby, ooohhh ...

Nobody's Business

Hey, if you're moving too fast
Don't you want this thing last
But if you start moving slow
Hey, pretty mama, you just will have to go
Because

It's nobody's business but my own
It's nobody's business but my own
No, no, no, no, ... no
No, no, no, no, ... no

But if you start acting mean
Then I'll have to mess up the scene
But if you start treating me nice
Hey now baby, I'm gonna have to raise your price

Because it's nobody's business but my own
No, no, no, no, ... no
No, no, no, no, ... no

Nobody's business, nobody's business
Come on now
It ain't nobody's business, nobody business
No, no, no no, nobody's business, no, no, ...
It ain't nobody's business, yeah, but my own
Nobody's business, but my own, no, no, no, ...
Nobody's business ...

Coney Island Baby

You know, man, when I was a young man in high school
You believe in or not, that I wanted to play football for the coach
All those older guys, they said he was mean and cruel
But you know, I wanted to play football, for the coach
They said I was to little too light weight to play line-back
So I say I'm playing right-in
Wanted to play football for the coach
Cause, you know some day, man, you gotta stand up straight
Unless you're gonna fall
Then you're gonna die
And the straightest dude I ever knew
Was standing right for me, all the time
So I had to play football for the coach
And I wanted to play football for the coach
When you're all alone and lonely in your midnight hour
And you find that your soul, it has been up for sale

And you getting to think about, all the things you done
And you getting to hate just about everything

But remember the princess who lived on the hill
Who loved you even though she knew you was wrong
And right now she just might come shining through
and the glory of love, glory of love
Glory of love, just might come through

And all your two-bit friends have gone and ripped you off
They're talking behind your back saying, man
you are never going to be a human being
And you start thinking again
About all those things that you've done
And who it was and who it was
And all the different things you made every different scene

Ah, but remember that the city is a funny place
Something like a circus or a sewer
And just remember, different people have peculiar tastes
And the Glory of love, the glory of love
The glory of love, might see you through
Yeah, but now, now
Glory of love, the glory of love
The glory of love, might see you through
Glory of love, ah, huh, huh, the glory of love
Glory of love, glory of love
Glory of love, now, glory of love, now
Glory of love, now, now, now, glory of love
Glory of love, give it to me now, glory of love see you through
Oh, my Coney Island baby, now
(I'm a Coney Island baby, now)
I'd like to send this one out for Lou and Rachel
And the Lord appeared and he has one made of two
Coney Island baby
Man, I swear, I'd give the whole thing up for you

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